![]() Police Searching For Boyfriend Of Dismembered Brooklyn Woman ![]() “They’re making a shitload of money off other motherfuckers without compensation.” “It’s a grimy site, man,” he says via phone from Chicago. fuck you in your fat face.” IShatOnU says it was only bored kids lashing out, but takes exception to World Star’s policies. One wrote, “Y da fuk u took down worldstar for? If I knew where you lived id murk u.” Another read, “Snich ass white faggot. Some furious fans learned IShatOnU’s identity, and bombarded him with threatening e-mails and phone calls. When WorldStar neglected to remove the offending video, the server took action. After WorldStar refused to add attribution to one of his videos, which showed ChatRoulette reactions to a faked suicide, IShatOnU filed a copyright complaint with the site’s server, a complaint Q says he never received. The real culprit was an Internet video creator who calls himself IShatOnU. In truth, 50 Cent had nothing to do with World Star’s technical difficulties. “Tell ’em how you were on my tour bus in 2003, you punk! And you created a area where everybody could try to hate on me!” Q stammered to get out a word, but was mostly quiet. Eventually, Q was patched into the conversation, and 50 snapped into attack mode: “I should black ya eye,” he snarled. He played it coy, neglecting to say World Star’s issues were specifically his handiwork. A few hours later, Angie Martinez, of New York’s Hot 97, interviewed 50 Cent on-air. The news burned across the Web like a brush fire, and both World Star and 50’s Web site ThisIs50 became trending topics on Twitter. It seemed plausible, since 50 had sued Q for trademark infringement in 2009 (Q believes the lawsuit was retribution for posting Rick Ross’ diss songs against 50 Cent). “I put Worldstar to bed, you don’t believe try me I will shut your shit down,” he wrote. After WorldStarHipHop (commonly referred to as WorldStar) had gone temporarily offline, 50 Cent claimed responsibility on Twitter. Tension between 50 Cent and Q had been simmering since the previous day. Q has a good reason to proceed with caution. “Fuck that! We’ll meet at a Starbucks or something.” “He wanted me to come by the G-Unit office,” he says with an incredulous laugh. When the G-Unit soldier departs, Q recounts the conversation. Later in the evening, a member of the G-Unit camp-a tough-looking customer with gold teeth and an impassive face-whispers in Q’s ear. ![]() When an argument between two girls breaks out nearby, Q’s bodyguard leaps in the way, while Q parties on, unfazed. Characters like Lee “Q” O’Denat, the man behind controversial video site, has two tables stocked with champagne, Patrón and women. Then there are the others blending in among the highfliers, the people who lurk in the shadows of celebrity. Of course Fabolous is there, along with players from the Memphis Grizzlies, New York Giants and New York Jets. Beneath a sea of crystalline rods that hang from the ceiling, a swarm of rappers, athletes, hustlers and hot girls toast Rosé and bounce to DJ Clue’s sound selections. ![]() ![]() The establishment was featured in Fabolous’ video for “Lights Out,” and this evening patrons re-create the ambiance. T uesday nights are cracking at Greenhouse, a club on the west side of lower Manhattan. ![]()
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